The scenic language conforming the repertoire created by August Bournonville

Authors

  • Ioshinobu Navarro Sanler Universidad Rey Juan Carlos

DOI:

https://doi.org/10.37334/eras.v7i4.92

Keywords:

scenic language, Balanchine, August Bournonville

Abstract

For the staging of a work of the traditional romantic-classical repertoire many elements within the stage language to take into account. This type of repertoire, in most cases, must follow some canons that mark the specific style of the piece that takes place on stage, which determines in its execution the respect for the tradition either of romanticism, classicism, Or other stylistic aspects that emerged later as is the case of Balanchine style, which with some variations within the same technique was developed in the United States of America in the 1940s.

Published

2016-12-30