Iconographies of surrealism in three Bergman films: Smultronstället, Persona and Vargtimmen

Abstract

The aim of this project is to analyze the iconographic references from surrealism, mainly from the field of plastic arts and photography, which could have influenced the Swedish filmmaker Ingmar Bergman when making three of his most emblematic movies: Smultronstället, Persona and Vargtimmen. Thus, we expect to continue contributing specific studies to this huge investigation field which deals with the relationship between cinema and visual arts