The echoes of a relationship

Abstract

Increasingly the research has been devoted to the study of the musical/sound component that constitutes the theatrical universe. Despite their importance in defining, analysing, and understanding the theatrical work, the objectives of all studies have focused on isolated elements that constitute the music scene. If the entire musical/sound component is an organic set, where no element should be ignored, the present article intends to present a temporal look at the dialectical and dialogical relationship between the sound and the theatrical universe. The echoes of this relationship are centered in its representativeness, importance, and contribution to the evolution of all the sound/ musical thought in the theatrical narrative, with focus on the compositional and aesthetic practices of Stanislavski, Meyerhold, Artaud, Brecht, Brook and Wilson in the construction of connection between music and theatre.