Proportion, Form and Harmony:

The Aesthetic Permanence of Architectural Orders in the Arts

Authors

  • João Augusto Cardoso Universidade de São Paulo
  • Jean Henrique Augusto Cardoso Centro Universitário UniBF

DOI:

https://doi.org/10.37334/eras.v16i1.326

Keywords:

Aesthetics of form, classical architecture, golden ratio, architectural orders, ; art and beauty

Abstract

This study presents an integrated approach combining art history, classical architecture, and philosophical aesthetics, focusing on understanding the five classical architectural orders (Doric, Ionic, Corinthian, Tuscan, and Composite) as foundational elements of the aesthetics of form. It also examines the presence and influence of the golden ratio, also known as the divine proportion, as a structural component of beauty in art and architecture. Drawing from classical sources (Pacioli, Vignola) and contemporary authors (Gombrich, Glancey, Pennick et al), the article outlines the enduring relevance of beauty and harmony ideals from antiquity to modern artistic expression. This reflection intends to provide a critical and interdisciplinary perspective on form as an aesthetic and cultural language.

Author Biographies

João Augusto Cardoso, Universidade de São Paulo

Postdoctoral professor and researcher at the School of Applied Sciences, University of Campinas (FCA/UNICAMP). Professor in the Graduate Program (PPG-GIA, stricto sensu) at the School of Animal Science and Food Engineering, University of São Paulo (FZEA/USP).

Jean Henrique Augusto Cardoso, Centro Universitário UniBF

Bachelor in Visual Arts and Technologist in Human Resources Management, with a lato sensu postgraduate degree in Corporate Pedagogy with an Emphasis on People Management. Centro Universitário UniBF.

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Published

2025-03-30

Issue

Vol. 16 No. 1 (2025): 60.ª Edição | ERAS

Section

Artigos