Dramaturgy and Bachelardian poetry

Abstract

I propose to carry out in this article an embryonic study of dramaturgical text analysis, taking as a parameter the Bachelardian poetics. This happens by verifying the dramatic construction (including the creation of the characters, the total plot and the elaboration of the conflicts), based on the relation between the elementals and their symbolisms existing in the poetic imaginary. Thus, the exhibition of a summary of the piece, the description of the characters and analysis of each scene, contribute to a more complete understanding of the plot and how it unfolds to give account and communicate a full story, whose acting subjects reveal their characters in a symbolic state.