NEOBARROSO-BORROSO BODIES IN THE UNDERBODY THEATER IN PORTEÑO: Alejandro Urdapilleta in flesh and blood

Abstract

In this article we propose to analyze Alejandro Urdapilleta's poetic acting and writing, based on his representations in Argentina during the posdictatorial period, specifically, in the Parakultural place. We start from the assumption that fuzziness is inscribed as a constructive principle of his writing and his performance, evidence as well as unique artistic form that is in tune with the poetic under at Buenos Aires.