The visible and invisible in construction of image in ballet

Abstract

This article has the aim of analysing possibilities image building offers from non verbal on, based on the idea it reflects a body-mind envolving cultural process in which memory is an essential element. We will also consider subjectivity regarding has as well as perception relativity, based on the idea a sensitive image is influenced by rationality, according to French discourse analysis in bringing some perspectives that connects image to its materiality up. We will take scenic ballet organisation to illustrate the importance an organised regard has. We will also consider the geometrisation of espace and the relation between figures and scenery, thinking how espectators behave according to these perspectives.