ACTUACIÓN CINEMATOGRÁFICA Y ANÁLISIS TEÓRICO

Abstract

From the beginnings of the Cinematographic Art, the adoption of the representative and narrative form of fiction determined the actors' participation in the movies. In this way, the acting performance in film early became a legitimate object of study. Nevertheless, the same one waits even for the establishment of proper parameters of elucidation. This fact is closely derived from the persistence of the theatrical Performance (original declaration of the art actoral) like problem yet poorly addressed by the theory. Having tackled, in previous works, the elaboration of tools for the theoretical analysis of the theatrical performance, the present article has to realize for an object a preliminary trailing of the form at which the diverse analyses over the cinematographic art have been employed the topic of the actor. In addition to analyzing the contributions of the scarce specific studies on the topic, we will check the contributions of the historical studies that, although they are centred on other aspects of the cinematographic art, refer to questions that involve the actor. We will divide the exhibition of these contributions in diverse topics, which constitute possible future investigation areas as for the Cinematographic Performance. First of all, the works that reflect on the technical or plastic questions of the cinematographic art. In the second term, the reflections on the narrative aspects, both as for development of MRI and MRP, and to the constitution of the genres. And finally, the works which delve into the role of the actor in the context of the film as an industry of masses.